ARCHIMEDES. Opera ... et Commentariis, translated and edited by Federico Commandino, Venice: apud Paulum Manutium, 1558, 2 parts in one volume, 2°, second Latin edition, Aldine device on title and final leaf to each part, woodcut geometrical diagrams (title perforated with JCL monogram and with stamp on verso, accession number at foot of *2, title repaired at inner margin and bearing later manuscript notes, some of a scriptural tendency, gathering H dampstained and slightly soiled, d1r soiled, d2 with small piece torn from lower margin, gathering f slightly dampstained, i2r slightly soiled, i4 with some staining and soiling, l1r soiled at head, verso of final leaf again soiled), later half calf over brown patterned boards (spine chipped, joints cracked, corners rubbed). [Adams A1532 & C2468; Brunet I, 384; Honeyman 133; Renouard 173.3; Riccardi I, 42.4 & 360.2] Provenance: Dupl. Bibl. Reg. 1786 (stamp on title with ms date); Afhaendet Fra Bibliotheket (larger stamp on verso of title with coat-of-arms); JCL

细节

ARCHIMEDES. Opera ... et Commentariis, translated and edited by Federico Commandino, Venice: apud Paulum Manutium, 1558, 2 parts in one volume, 2°, second Latin edition, Aldine device on title and final leaf to each part, woodcut geometrical diagrams (title perforated with JCL monogram and with stamp on verso, accession number at foot of *2, title repaired at inner margin and bearing later manuscript notes, some of a scriptural tendency, gathering H dampstained and slightly soiled, d1r soiled, d2 with small piece torn from lower margin, gathering f slightly dampstained, i2r slightly soiled, i4 with some staining and soiling, l1r soiled at head, verso of final leaf again soiled), later half calf over brown patterned boards (spine chipped, joints cracked, corners rubbed). [Adams A1532 & C2468; Brunet I, 384; Honeyman 133; Renouard 173.3; Riccardi I, 42.4 & 360.2] Provenance: Dupl. Bibl. Reg. 1786 (stamp on title with ms date); Afhaendet Fra Bibliotheket (larger stamp on verso of title with coat-of-arms); JCL

拍品专文

The first edition of the Opera was edited by Theodore Gechauff and published at Basel in 1544 (this is excepting an imperfect edition by Tartaglia of 1543). The present edition differs from it considerably since Commandino was himself so mathematically gifted, and had access to previously unavailable Greek manuscripts.