CAPUS, Alfred (1858-1922) & Emmanuel ARÈNE. L' Adversaire. Comédie en quatre actes, Paris: Eugène Fasquelle, 1904, 18°, FIRST EDITION, number 24 of 25 copies on papier de Hollande (some spotting of preliminaries and end leaves), contemporary blue levant half morocco by CARAVON for Robert Rolo, spine decorated with twining flowers in gilt and blind with brown morocco onlays forming flower heads and leaves, original white wrappers bound in, uncut, t.e.g.; sold with three other works by Capus [Talvart & Place II, p. 295: 14, 15, 16, 17] -- LEMAITRE, Jules (1853-1914). Les Rois, Paris: Calmann Lévy, 1893, 18°, FIRST EDITION, number 13 of 40 copies on Holland (slight spotting and crinkling), contemporary green half morocco, original orange wrappers bound in, uncut, t.e.g. [Talvart & Place XII, p. 133: 15A]; sold with five dramas by Lemaitre, in near uniform contemporary crimson half morocco over marbled boards, original orange wrappers bound in (the third work slightly affected by damp on covers and wrappers), uncut, t.e.g. [Talvart & Place XII, 133: 13; 15A, 134: 17; 136: 29C, 137: 34C] (10)

细节

CAPUS, Alfred (1858-1922) & Emmanuel ARÈNE. L' Adversaire. Comédie en quatre actes, Paris: Eugène Fasquelle, 1904, 18°, FIRST EDITION, number 24 of 25 copies on papier de Hollande (some spotting of preliminaries and end leaves), contemporary blue levant half morocco by CARAVON for Robert Rolo, spine decorated with twining flowers in gilt and blind with brown morocco onlays forming flower heads and leaves, original white wrappers bound in, uncut, t.e.g.; sold with three other works by Capus [Talvart & Place II, p. 295: 14, 15, 16, 17] -- LEMAITRE, Jules (1853-1914). Les Rois, Paris: Calmann Lévy, 1893, 18°, FIRST EDITION, number 13 of 40 copies on Holland (slight spotting and crinkling), contemporary green half morocco, original orange wrappers bound in, uncut, t.e.g. [Talvart & Place XII, p. 133: 15A]; sold with five dramas by Lemaitre, in near uniform contemporary crimson half morocco over marbled boards, original orange wrappers bound in (the third work slightly affected by damp on covers and wrappers), uncut, t.e.g. [Talvart & Place XII, 133: 13; 15A, 134: 17; 136: 29C, 137: 34C] (10)