The Property of THE LATE BARONESS PHILLIMORE
AN IMPORTANT ELIZABETH I SILVER-GILT MOUNTED MING BLUE AND WHITE "KRAAK PORCELAIN" WINE CUP, the spreading circular foot engraved with a band of birds, fruits and foliate scrolls and with moulded lobed border, the vase-shaped stem with foliate knop and chased and applied with four cherubs masks, each with a flower between and with pendant fruits and drapery swags, the hexafoil bowl with narrow shaped rim engraved with a continuous freeze of foliate scrolls, the bowl painted with six various designs each within shaped cartouche, the mounts unmarked, circa 1585, the porcelain bowl Wanli

Details
AN IMPORTANT ELIZABETH I SILVER-GILT MOUNTED MING BLUE AND WHITE "KRAAK PORCELAIN" WINE CUP, the spreading circular foot engraved with a band of birds, fruits and foliate scrolls and with moulded lobed border, the vase-shaped stem with foliate knop and chased and applied with four cherubs masks, each with a flower between and with pendant fruits and drapery swags, the hexafoil bowl with narrow shaped rim engraved with a continuous freeze of foliate scrolls, the bowl painted with six various designs each within shaped cartouche, the mounts unmarked, circa 1585, the porcelain bowl Wanli
7 1/2in. (19cm.) high
Provenance
By tradition a gift of Mary Queen of Scots to 2nd Lord North and then by descent
Literature
Phillipa Glanville, Silver in Tudor and Early Stuart, England, London, 1990, p. 344
Exhibited
London, The London Musuem, 1936-1993

Lot Essay

From at least the 15th century Oriental porcelain has been mounted by European goldsmiths, usually in silver-gilt and on occasions further adorned with precious stones. The mounts emphasised the esteem in which porcelain was held and its great rarity until the early 17th century with the ever expanding trade with the Far East. As with the present example mounts are frequently unmarked, or only bear a maker's mark. However, as the intrinsic value of the metal used was for the most part small, a great diversity of objects still exists, particularly in the National Collection in the Victoria and Albert Museum, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art, which holds a large collection, formerly at Burghley House.

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