拍品专文
The gilding technique used on this lot is quite different from that normally found on wares decorated in the Seuter workshop at Augsburg. Here the gilding is in flat panels into which the decoration is scratched. In the Seuter workshop the gilt decoration is thickly applied and then engraved and burnished. It is more likely therefore that the gilding on this lot was done at Meissen. This supposition is further reinforced by a comparison with the gilding to be found on Böttger stoneware where the figures are handled in precisely this technique cf. Rolf Sonnemann/Eberhard Wächtler, op. cit., pl. 1/35.
The comedy figures on the present lot are derived from Callot, and are quite clearly too early to be taken from the Riccoboni/Joullain engravings of 1727. The comedy figures depicted on the present lot must surely be the earliest to appear on European porcelain
The comedy figures on the present lot are derived from Callot, and are quite clearly too early to be taken from the Riccoboni/Joullain engravings of 1727. The comedy figures depicted on the present lot must surely be the earliest to appear on European porcelain