THE PROPERTY OF A NOBLEMAN
Circle of REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
细节
Circle of REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
A bearded old Man, wearing a brown Coat and russet Hat
bears remains of a signature and a date '1651'--oil on canvas
30½ x 26 1/8in. (77.5 x 66.7cm.)
A bearded old Man, wearing a brown Coat and russet Hat
bears remains of a signature and a date '1651'--oil on canvas
30½ x 26 1/8in. (77.5 x 66.7cm.)
出版
A. Rosenberg, Rembrandt des Meisters Gemälde, 1906, p. 272, as Rembrandt
C. Hofstede de Groot, A Catalogue Raisonné, etc., VI, 1916, no. 453, as Rembrandt
A. Bredius, Rembrandt: The Complete Edition of the Paintings, revised by H. Gerson, 1969, no. 263, the note by Gerson in the revised edition (p. 569) reads 'A picture of excellent quality, though this was hardly apparent from the poor reproduction in the first edition of this book'
K. Bauch, Rembrandt Gemälde, 1966, no. 402, as ?
H. Gerson, Rembrandt Paintings, 1968, no. 306, as Rembrandt
C. Tümpel, Rembrandt Mythos und Methode, 1986, no. A45, illustrated in color p. 301, as workshop of Rembrandt
C. Hofstede de Groot, A Catalogue Raisonné, etc., VI, 1916, no. 453, as Rembrandt
A. Bredius, Rembrandt: The Complete Edition of the Paintings, revised by H. Gerson, 1969, no. 263, the note by Gerson in the revised edition (p. 569) reads 'A picture of excellent quality, though this was hardly apparent from the poor reproduction in the first edition of this book'
K. Bauch, Rembrandt Gemälde, 1966, no. 402, as ?
H. Gerson, Rembrandt Paintings, 1968, no. 306, as Rembrandt
C. Tümpel, Rembrandt Mythos und Methode, 1986, no. A45, illustrated in color p. 301, as workshop of Rembrandt
展览
Yokohama, Sofo Museum of Art; Fukuoka, Fukuoka Art Museum; Kyoto, National Museum of Modern Art, Rembrandt and the Bible, (months) 1986-87, as Rembrandt