A white marble group of Apollo and Daphne

ITALIAN SCHOOL, AFTER GIAN LORENZO BERNINI, LAST QUARTER 19TH CENTURY

Details
A white marble group of Apollo and Daphne
Italian School, After Gian Lorenzo Bernini, Last quarter 19th Century
Each figure naked, Apollo with drapery billowing behind him, capturing Daphne as she turns into a laurel bush, on a naturalistically-carved base, unsigned, restorations
23¾ in. (60.3 cm.) wide; 47 in. (120 cm.) high; 17¼ in. (43.7 cm.) deep
Literature
R. Wittkower, Gian Lorenzo Bernini, London, 1955, pl. 14, 19, 24, 26, pp. 183-184.

Lot Essay

Commissioned by Cardinal Scipione Borghese in 1622, Bernini's life-size marble of Apollo and Daphne was completed, with interruptions by mid-1624 at a cost of 600 scudi. The marble is now in the Borghese Gallery, Rome.

The nymph Daphne was the first and most celebrated of Apollo's loves. Ovid recounts how Apollo was struck by Cupid's golden arrow, kindling love and Daphne by a leaden arrow, that puts love to flight. Symbolizing the victory of Chastity over Lust, Daphne fled from Apollo's advances and saved herself by metamorphosing into a laurel bush, the moment of which is depicted in Bernini's sculpture.

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