VARIOUS PROPERTIES
A VIENNESE ORMOLU-MOUNTED AND BRASS-INLAID EBONY AND PARCEL-GILT TORCHERE

EARLY 19TH CENTURY

Details
A VIENNESE ORMOLU-MOUNTED AND BRASS-INLAID EBONY AND PARCEL-GILT TORCHERE
Early 19th Century
Inlaid overall with brass banding, the circular top above a moulded frieze, on three rectangular monopodia headed by lion-mask roundels, supported by a circular undertier with foliate band and cone and three turned spindles terminating in patera, on lion-paw feet and concave- sided, triangular plinth centred by an arrowhead and floral roundel, on block feet, one lion-mask missing and the finial to the undertier lacking
17½ in. (44.5 cm.) width; 41 in. (104 cm.) high

Lot Essay

This guéridon-stand, conceived as a Roman tripod altar with tazza-bowl top, relates to a pattern in C. Percier and P. Fontaine's Recueil de Décorations Intérieures of 1801. A pair of such marble-topped guéridons attributed to the ébéniste Bernard Molitor (D.1833) was commissioned in Paris by King Jerome of Westphalia (U. Leben, Molitor, London, 1990, p.203, no. 145), while the form was also adopted for a vide-poche pattern of 1819 issued by La Messangère (pl.220).

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