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Details
BRUCE NAUMAN (B. 1941)
All Thumbs
signed, inscribed and dated 'B. Nauman 1996, A of A/B, II' (on wrist A); inscribed 'B of A/B, II' (on wrist B)
plaster, in two parts
A: 10 x 5 ½ x 4 in. (25.4 x 14 x 10.2 cm.)
B: 9 ½ x 4 x 4 ¼ in. (24.1 x 10.2 x 10.8 cm.)
Executed in 1996.
All Thumbs
signed, inscribed and dated 'B. Nauman 1996, A of A/B, II' (on wrist A); inscribed 'B of A/B, II' (on wrist B)
plaster, in two parts
A: 10 x 5 ½ x 4 in. (25.4 x 14 x 10.2 cm.)
B: 9 ½ x 4 x 4 ¼ in. (24.1 x 10.2 x 10.8 cm.)
Executed in 1996.
Provenance
Private collection, New York, acquired directly from the artist
Literature
M. Brenson, “Experience, Complicity & Quality,” Sculpture, November 1998, p. 17 (illustrated).
T. Ackermann, “Futter für die Selle,” Weltkunst, Spring 2018, p. 5 (illustrated).
J. Quin, “Attention Must Be Paid: Bruce Nauman In Basel,” The Quietus, 28 July 2018, digital (illustrated).
N. Kurchanova, “Bruce Nauman: Disappearing Acts,” Studio International, 26 November 2018, digital (illustrated).
K. Baker, “A dive into Bruce Nauman’s confounding, zigzagging career,” The Art Newspaper, 30 November 2018, digital.
T. Ackermann, “Futter für die Selle,” Weltkunst, Spring 2018, p. 5 (illustrated).
J. Quin, “Attention Must Be Paid: Bruce Nauman In Basel,” The Quietus, 28 July 2018, digital (illustrated).
N. Kurchanova, “Bruce Nauman: Disappearing Acts,” Studio International, 26 November 2018, digital (illustrated).
K. Baker, “A dive into Bruce Nauman’s confounding, zigzagging career,” The Art Newspaper, 30 November 2018, digital.
Exhibited
Basel, Schaulager and Long Island City, MoMA PS1, Bruce Nauman: Disappearing Acts, March 2018-February 2019, pp. 24, 265, 269 and 320 (illustrated).
Présenté par
Michael Baptist
Vice President, Specialist, Co-Head of Day Sale
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