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PROPERTY FROM A PRIVATE NORWEGIAN COLLECTION
ODILON REDON (1840-1916)
Two Plates from: La Tentation de Saint-Antoine (troisième série)
Details
ODILON REDON (1840-1916)
Two Plates from: La Tentation de Saint-Antoine (troisième série)
Plate XVII: Il tombe dans l’abime, la tête en bas
lithograph, 1896, on Japan paper, unsigned, a good impression, with narrow margins;
Plate XVIII: Antoine: Quel es le but de tout cela? Le Diable: Il n'y a pas de but!
lithograph, 1896, on thin laid Japan paper, a good impression, with wide margins;
both presumably aside from the edition of fifty impressions on Chine appliqué paper
generally in good condition
Image 278 x 212 mm., Sheet 290 x 217 mm. (Plate XVII)
Image 312 x 254 mm., Sheet 443 x 353 mm. (Plate XVIII)(2)
Two Plates from: La Tentation de Saint-Antoine (troisième série)
Plate XVII: Il tombe dans l’abime, la tête en bas
lithograph, 1896, on Japan paper, unsigned, a good impression, with narrow margins;
Plate XVIII: Antoine: Quel es le but de tout cela? Le Diable: Il n'y a pas de but!
lithograph, 1896, on thin laid Japan paper, a good impression, with wide margins;
both presumably aside from the edition of fifty impressions on Chine appliqué paper
generally in good condition
Image 278 x 212 mm., Sheet 290 x 217 mm. (Plate XVII)
Image 312 x 254 mm., Sheet 443 x 353 mm. (Plate XVIII)(2)
Provenance
With Paul Prouté, Paris. (Plate XVII)
With Galerie Michel, Paris. (Plate XVIII)
Acquired from the above in circa 1990; then by descent to the present owner.
With Galerie Michel, Paris. (Plate XVIII)
Acquired from the above in circa 1990; then by descent to the present owner.
Literature
Mellerio 150 & 151
Présenté par
Stefano Franceschi
Specialist
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