MILTON AVERY (1885-1965)
MILTON AVERY (1885-1965)
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The Joanna Carson Collection: A Legacy of Glamour and Giving, Property Sold with the Intent to Benefit Various Charities
MILTON AVERY (1885-1965)

Pool in the Rockies

Details
MILTON AVERY (1885-1965)
Pool in the Rockies
signed and dated 'Milton Avery 1950' (lower right)
oil on canvas
36 x 45 ¾ in. (91.4 x 116.2 cm.)
Painted in 1950.
Provenance
Grace Borgenicht Gallery, New York
Acquired from the above by the late owner, 1977
Literature
P.J. Broder, The American West: The Modern Vision, Boston, 1984, p. 285 (illustrated).
R. Norwood, Why Me, Why This, Why Now: A Guide to Answering Life's Toughest Questions, Toronto, 1994 (cover illustration).
Exhibited
Storrs, University of Connecticut, William Benton Museum of Art, Milton Avery and the Landscape, March-April 1976, pp. 26, 47, no. 23 (illustrated).
New York, Whitney Museum of American Art; Pittsburgh, Carnegie Institute; Fort Worth Art Museum; Buffalo, Albright-Knox Gallery; Denver Art Museum and Minneapolis, Walker Art Center, Milton Avery, September 1982-October 1983.
Further details
This lot is accompanied by a letter of opinion from The Milton and Sally Avery Arts Foundation.

Presentado por

Michael Baptist
Michael Baptist Vice President, Specialist, Co-Head of Day Sale

Ensayo del lote

Teeming with bold coloration and flattened forms, the present work is a strikingly modern example of Milton Avery's Colorado landscapes. Along with his wife Sally, Avery spent the summer of 1946 in Mexico and the American West, namely visiting Colorado. There, the couple took their car through the Rocky Mountains, taking in the scenery that later inspired the present work. According to Patricia J. Broder, Avery's Rocky Mountain landscapes "are based on interlocking abstract forms, with both negative and positive shapes of equal importance, but Avery refused to invent forms—they were always based on physical reality." (P.J. Broder, The American West: The Modern Vision, Boston, 1984, p. 289) Indeed, Pool in the Rockies expertly connects simplified shapes of rich color to create a recognizable, yet entirely stylized, artistic vision of the American West.

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