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The Collection of Antonio Homem Sonnabend
JASPER JOHNS (B. 1930)
Hook
Details
JASPER JOHNS (B. 1930)
Hook
signed and dated 'Jasper Johns 1958' (lower right)
crayon, charcoal and chalk on paper
18 x 23 5⁄8 in. (45.7 x 60 cm.)
Executed in 1958
Hook
signed and dated 'Jasper Johns 1958' (lower right)
crayon, charcoal and chalk on paper
18 x 23 5⁄8 in. (45.7 x 60 cm.)
Executed in 1958
Provenance
Leo Castelli Gallery, New York.
Ileana Sonnabend (acquired from the above, 1958).
By descent from the above to the late owner.
Ileana Sonnabend (acquired from the above, 1958).
By descent from the above to the late owner.
Literature
R. Rosenblum, "Jasper Johns," Art International, vol. 4, no. 7, 25 September 1960, p. 77, pl. VIII (illustrated; titled Drawing with Hooks).
L. Steinberg, "Jasper Johns," Metro, no. 4⁄5, May 1962, p. 92.
D. Shapiro, Jasper Johns: Drawings, 1954-1984, New York, 1984, n.p., pl. 28 (illustrated).
R. Bernstein, Jasper Johns' Paintings and Sculptures, 1954-1974: The Changing Focus of the Eye, Ann Arbor, 1985, p. 45.
B. Perlman, "The Drawings of Jasper Johns at the National Gallery of Art," Daily Record, 3 July 1990, p. 28.
S. Brundage, ed., Jasper Johns: 35 Years [with] Leo Castelli, New York, 1993, n.p. (illustrated; titled Drawing with Hooks).
K. Varnedoe, Jasper Johns: Retrospektive, exh. cat., Cologne, Museum Ludwig, 1997, p. 158 (illustrated).
S. Rothkopf, Jasper Johns: Catenary, exh. cat., New York, Matthew Marks Gallery, 2006, p. 18, fig. 26 (illustrated).
A. Robbe-Grillet, The Target, New York, 2006, pp. 7, 33 and 112, fig. 11 (illustrated).
R. Bernstein, Jasper Johns: Catalogue Raisonné of Painting and Sculpture, Volume 1, Painting, 1954-1970, New Haven and London, 2016, pp. 74-75, fig. 3.10 (illustrated).
Menil Collection, Jasper Johns: Catalogue Raisonné of Drawing, Volume 1, 1954-1965, New Haven and London, 2018, pp. 98-99, no. D45 (illustrated).
L. Steinberg, "Jasper Johns," Metro, no. 4⁄5, May 1962, p. 92.
D. Shapiro, Jasper Johns: Drawings, 1954-1984, New York, 1984, n.p., pl. 28 (illustrated).
R. Bernstein, Jasper Johns' Paintings and Sculptures, 1954-1974: The Changing Focus of the Eye, Ann Arbor, 1985, p. 45.
B. Perlman, "The Drawings of Jasper Johns at the National Gallery of Art," Daily Record, 3 July 1990, p. 28.
S. Brundage, ed., Jasper Johns: 35 Years [with] Leo Castelli, New York, 1993, n.p. (illustrated; titled Drawing with Hooks).
K. Varnedoe, Jasper Johns: Retrospektive, exh. cat., Cologne, Museum Ludwig, 1997, p. 158 (illustrated).
S. Rothkopf, Jasper Johns: Catenary, exh. cat., New York, Matthew Marks Gallery, 2006, p. 18, fig. 26 (illustrated).
A. Robbe-Grillet, The Target, New York, 2006, pp. 7, 33 and 112, fig. 11 (illustrated).
R. Bernstein, Jasper Johns: Catalogue Raisonné of Painting and Sculpture, Volume 1, Painting, 1954-1970, New Haven and London, 2016, pp. 74-75, fig. 3.10 (illustrated).
Menil Collection, Jasper Johns: Catalogue Raisonné of Drawing, Volume 1, 1954-1965, New Haven and London, 2018, pp. 98-99, no. D45 (illustrated).
Exhibited
New York, Whitney Museum of American Art; Cologne, Museum Ludwig; Paris, Musée d'Art Moderne; Tokyo, The Seibu Museum of Art and San Francisco Museum of Modern Art, Jasper Johns, October 1977-December 1978, n.p., no. 33 (illustrated).
Princeton University Art Museum; Akron Art Museum; Austin, University of Texas Art Museum; Minneapolis, Walker Art Center and Boston, Museum of Fine Arts, Selections from the Ileana and Michael Sonnabend Collection: Works from the 1950s and 1960s, February 1985-June 1986, pp. 56 and 110 (illustrated).
Washington, D.C., National Gallery of Art and Kunstmuseum Basel, The Drawings of Jasper Johns, August-October 1990, pp. 144-145 and 345, no. 23 (illustrated).
New York, Museum of Modern Art, Jasper Johns: A Retrospective, October 1996-January 1997, pp. 152 and 404, no. 33 (illustrated).
Institut Valencià d'Art Modern, Jasper Johns: Las huellas de la memoria, February-April 2011, pp. 72-73 (illustrated).
London, Royal Academy of Arts and Los Angeles, The Broad, Jasper Johns: "Something Resembling Truth," September 2017-May 2018, p. 112, no. 47 (illustrated).
Princeton University Art Museum; Akron Art Museum; Austin, University of Texas Art Museum; Minneapolis, Walker Art Center and Boston, Museum of Fine Arts, Selections from the Ileana and Michael Sonnabend Collection: Works from the 1950s and 1960s, February 1985-June 1986, pp. 56 and 110 (illustrated).
Washington, D.C., National Gallery of Art and Kunstmuseum Basel, The Drawings of Jasper Johns, August-October 1990, pp. 144-145 and 345, no. 23 (illustrated).
New York, Museum of Modern Art, Jasper Johns: A Retrospective, October 1996-January 1997, pp. 152 and 404, no. 33 (illustrated).
Institut Valencià d'Art Modern, Jasper Johns: Las huellas de la memoria, February-April 2011, pp. 72-73 (illustrated).
London, Royal Academy of Arts and Los Angeles, The Broad, Jasper Johns: "Something Resembling Truth," September 2017-May 2018, p. 112, no. 47 (illustrated).
Presentado por
Kathryn Widing
Senior Vice President, Senior Specialist, Head of 21st Century Evening Sale