
Property Sold to Benefit The Bailey Arts Foundation
KERRY JAMES MARSHALL (B. 1955)
Untitled
Details
KERRY JAMES MARSHALL (B. 1955)
Untitled
signed with the artist’s initials, numbered and dated ‘2/4 KJM ’99 (on each panel)
eight-color unique woodblock print, in twelve parts
each: 98 ½ x 50 ½ in. (250 x 128.3 cm.)
overall: 98 ½ x 608 ½ in. (250 x 1545.6 cm.)
Executed in 1998-1999. This work was printed by the artist and is number two from an edition of four plus one artist’s proof and one exhibition proof.
Untitled
signed with the artist’s initials, numbered and dated ‘2/4 KJM ’99 (on each panel)
eight-color unique woodblock print, in twelve parts
each: 98 ½ x 50 ½ in. (250 x 128.3 cm.)
overall: 98 ½ x 608 ½ in. (250 x 1545.6 cm.)
Executed in 1998-1999. This work was printed by the artist and is number two from an edition of four plus one artist’s proof and one exhibition proof.
Provenance
Jack Shainman Gallery, New York
Acquired from the above by the present owner, 1999
Acquired from the above by the present owner, 1999
Literature
M. Schwendener, “Kerry James Marshall at Jack Shainman Gallery,” Time Out New York, 15 April 1999, p. 61 (another from the edition illustrated).
G. Glueck, “Art in Review; Kerry James Marshall,” The New York Times, 9 April 1999, p. E40.
K. James Marshall et al., Kerry James Marshall, New York, 2000, pp. 108-109 (illustrated).
“Kerry James Marshall: One decision after another,” Cleveland Art, Vol. 58, no. 4, July-August 2018, pp. 2 and 6-7 (another from the edition illustrated; illustrated on the cover.)
S. Tallman, Kerry James Marshall: The Complete Prints, New York, 2023, pp. 8 and 136-139, no. 57 (illustrated).
Kerry James Marshall: The Histories, exh. cat., London, The Royal Academy of Art, 2025, pp. 191 and 252, fig. 64 (installation view of another from the edition illustrated).
G. Glueck, “Art in Review; Kerry James Marshall,” The New York Times, 9 April 1999, p. E40.
K. James Marshall et al., Kerry James Marshall, New York, 2000, pp. 108-109 (illustrated).
“Kerry James Marshall: One decision after another,” Cleveland Art, Vol. 58, no. 4, July-August 2018, pp. 2 and 6-7 (another from the edition illustrated; illustrated on the cover.)
S. Tallman, Kerry James Marshall: The Complete Prints, New York, 2023, pp. 8 and 136-139, no. 57 (illustrated).
Kerry James Marshall: The Histories, exh. cat., London, The Royal Academy of Art, 2025, pp. 191 and 252, fig. 64 (installation view of another from the edition illustrated).
Exhibition
New York, Jack Shainman Gallery, Kerry James Marshall, March-April 1999 (another from the edition exhibited).
Cambridge, Massachusetts, Harvard Art Museums, Recent Acquisitions, Part III: Kerry James Marshall, October-December 2012 (another from the edition exhibited).
Nashville, Frist Art Museum, 30 Americans, October 2013-January 2014 (another from the edition exhibited).
Antwerp, M HKA; Copenhagen, Kunsthal Charlottenborg; Madrid, Museo Nacional Centro de Arte Reina Sofia, Kerry James Marshall: Painting and Other Stuff, October 2013-October 2014, p. 184 (another from the edition exhibited).
The Cleveland Museum of Art, Kerry James Marshall: Works on Paper, June-October 2018 (another from the edition exhibited).
Montreal Museum of Fine Arts, “For every atom belonging to me as good belongs to you”, Selections from The Bailey Collection, December 2019-March 2020, pp. 98-99, and 151 (illustrated).
Cambridge, Massachusetts, Harvard Art Museums, Recent Acquisitions, Part III: Kerry James Marshall, October-December 2012 (another from the edition exhibited).
Nashville, Frist Art Museum, 30 Americans, October 2013-January 2014 (another from the edition exhibited).
Antwerp, M HKA; Copenhagen, Kunsthal Charlottenborg; Madrid, Museo Nacional Centro de Arte Reina Sofia, Kerry James Marshall: Painting and Other Stuff, October 2013-October 2014, p. 184 (another from the edition exhibited).
The Cleveland Museum of Art, Kerry James Marshall: Works on Paper, June-October 2018 (another from the edition exhibited).
Montreal Museum of Fine Arts, “For every atom belonging to me as good belongs to you”, Selections from The Bailey Collection, December 2019-March 2020, pp. 98-99, and 151 (illustrated).
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Emily Rose Fitzgerald
Associate Specialist, Private Sales