A DATED GILT-BRONZE FIGURE OF AN AMITAYUS
A DATED GILT-BRONZE FIGURE OF AN AMITAYUS
A DATED GILT-BRONZE FIGURE OF AN AMITAYUS
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A DATED GILT-BRONZE FIGURE OF AN AMITAYUS
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Important Chinese Art from a North American Private Collection
A DATED GILT-BRONZE FIGURE OF AN AMITAYUS

QIANLONG PERIOD, INCISED WITH CYCLICAL GENGYIN DATE, CORRESPONDING TO 1770, AND OF THE PERIOD

Details
A DATED GILT-BRONZE FIGURE OF AN AMITAYUS
QIANLONG PERIOD, INCISED WITH CYCLICAL GENGYIN DATE, CORRESPONDING TO 1770, AND OF THE PERIOD
8 3⁄8 in. (21.2 cm.) high, cloth box
Provenance
Chang Foundation Collection, Taipei, by 1993.
Literature
Chang Foundation, Buddhist Images in Gilt Metal, Taipei, 1993, pp. 56-7, no. 21.
Chang Foundation, Treasures from the Chang Foundation, 1996, p. 67, no. 50.
Exhibited
Taipei, Chang Foundation, Buddhist Images in Gilt Metal, 1993, no. 21.
Beijing, National Museum of Chinese History, Treasures from the Chang Foundation, 1996, no. 50.

Brought to you by

Vicki Paloympis (潘薇琦)
Vicki Paloympis (潘薇琦) Head of Department, VP, Specialist

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Lot Essay

Amitayus is known as the ‘Buddha of Infinite Light’ and the ‘One who grants long life’. The deity is seen here in a classic representation seated in the lotus position (dhyanasana), with the hands held in meditation supporting a vessel (kalasha), which holds the elixir of immortality. As one of the most popular deities from the Tibetan Buddhist pantheon, images of Amitayus found great favor with the Emperor Qianlong.

The current figure belongs to a group of cyclically-marked gilt-bronze Amitayus figures commissioned by Qianlong as gifts to his mother, the Empress Dowager, who was a devout Buddhist, in commemoration of her sixtieth and seventieth birthdays. Figures of Amitayus were often depicted in groups of nine, since ‘nine’ is a homophone for ‘eternity’.

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