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Temple of Style: The Barbara Jakobson Collection
MATTHEW BARNEY (B. 1967)
CREMASTER 4: The Loughton Candidate
Details
MATTHEW BARNEY (B. 1967)
CREMASTER 4: The Loughton Candidate
color photograph, in artist's cast plastic frame
19 ½ x 17 5⁄8 in. (49.5 x 44.8 cm.)
Executed in 1994. This work is number sixteen from an edition of thirty plus two artist's proofs.
CREMASTER 4: The Loughton Candidate
color photograph, in artist's cast plastic frame
19 ½ x 17 5⁄8 in. (49.5 x 44.8 cm.)
Executed in 1994. This work is number sixteen from an edition of thirty plus two artist's proofs.
Provenance
Barbara Gladstone Gallery, New York
Acquired from the above by the present owner, 1994
Acquired from the above by the present owner, 1994
Literature
F. Bonami, "Matthew Barney," Flash Art, May-June 1994, n.p. (another example illustrated on the front cover).
Matthew Barney: Pace Car for the Hubris Pill, exh. cat., Rotterdam, Museum Boymans-van Beunigen, 1995, p. 75 (another example illustrated).
E. Lebovici, “Barney dessine la carte du muscle,” Libération, 8 February 1996.
M. Shaw, “Myth Media,” Resident, February-March 1998.
B. H. Russell, “Matthew Barney’s Testicular Anxieties,” Parachute, Fall 1998.
B. Riemschneider and U. Grosenick, eds., Art at the Turn of the Millennium, New York, 1999, p. 58, no. 1 (another example illustrated).
D. Costello, "Video Art: Smart Investment or Screen Saver?," The Wall Street Journal, New York, 30 April 1999, p. W14 (another example illustrated).
W. Feaver, "Shock Tactician," Artnews, May 1999, p. 131 (another example illustrated).
P. Devlin, New York: Behind Closed Doors, Layton, 2017, p. 179 (illustrated in-situ).
W. Goodman, "Art Collector Barbara Jakobson's Vertical Life," New York Magazine, 24 May 2021, digital (illustrated in-situ).
Matthew Barney: Pace Car for the Hubris Pill, exh. cat., Rotterdam, Museum Boymans-van Beunigen, 1995, p. 75 (another example illustrated).
E. Lebovici, “Barney dessine la carte du muscle,” Libération, 8 February 1996.
M. Shaw, “Myth Media,” Resident, February-March 1998.
B. H. Russell, “Matthew Barney’s Testicular Anxieties,” Parachute, Fall 1998.
B. Riemschneider and U. Grosenick, eds., Art at the Turn of the Millennium, New York, 1999, p. 58, no. 1 (another example illustrated).
D. Costello, "Video Art: Smart Investment or Screen Saver?," The Wall Street Journal, New York, 30 April 1999, p. W14 (another example illustrated).
W. Feaver, "Shock Tactician," Artnews, May 1999, p. 131 (another example illustrated).
P. Devlin, New York: Behind Closed Doors, Layton, 2017, p. 179 (illustrated in-situ).
W. Goodman, "Art Collector Barbara Jakobson's Vertical Life," New York Magazine, 24 May 2021, digital (illustrated in-situ).
Exhibited
New York, Barbara Gladstone Gallery, Matthew Barney: Cremaster 4, April-May 1995 (another example exhibited).
Kunstammlung Gera and Neues Museum Weserburg Bremen, Sammlung Volkmann zeight: Faustrecht der Freiheit, April-September 1996, p. 50 (another example exhibited and illustrated).
Cologne, Museum Ludwig; Musée d'Art Moderne de la Ville de Paris and New York, Solomon R. Guggenheim Museum, Matthew Barney, The CREMASTER Cycle, June 2002-May 2003, pp. 330 and 472 (another example exhibited and illustrated).
Cologne, Museum Ludwig, The Eighth Square. Gender, Life, and Desire in the Arts since 1960, August-November 2006, pp. 259 and 287 (another example exhibited and illustrated).
Kunstammlung Gera and Neues Museum Weserburg Bremen, Sammlung Volkmann zeight: Faustrecht der Freiheit, April-September 1996, p. 50 (another example exhibited and illustrated).
Cologne, Museum Ludwig; Musée d'Art Moderne de la Ville de Paris and New York, Solomon R. Guggenheim Museum, Matthew Barney, The CREMASTER Cycle, June 2002-May 2003, pp. 330 and 472 (another example exhibited and illustrated).
Cologne, Museum Ludwig, The Eighth Square. Gender, Life, and Desire in the Arts since 1960, August-November 2006, pp. 259 and 287 (another example exhibited and illustrated).
Brought to you by
Rachel Ng
Associate Specialist, Acting Head of Sale, Post-War to Present