ANDRÉ GROULT (1884-1966)
ANDRÉ GROULT (1884-1966)
ANDRÉ GROULT (1884-1966)
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ANDRÉ GROULT (1884-1966)
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Property from an Important Chicago Collection
ANDRÉ GROULT (1884-1966)

Important Bed, circa 1925

Details
ANDRÉ GROULT (1884-1966)
Important Bed, circa 1925
shagreen, mahogany, oak
38 x 88 5⁄8 x 66 5⁄8 in. (96.5 x 225.1 x 169.2 cm)
Provenance
Private Collection, Paris, commissioned directly from the artist, circa 1925
François Issaly, Cannes, 7-8 April 1999
Galerie Jean-Jacques Dutko, Paris
Acquired from the above by the present owner, 1999
Literature
For the same model in white shagreen created for the Exposition Internationale des Arts Décoratifs et Industriels Modernes, Paris, 1925:
G. Varenne, "L'Exposition des Arts Décoratifs," Art et Décoration, Paris, July 1925, p. 3
G. Boissy, "Les belles chambres à coucher de l'exposition," Les Echos des Industries d'Art, Paris, no. 3, September 1925, p. 9
Les Arts de la Maison, Paris, Spring-Summer 1925, pl. IV
M. Dormoy, "Les Intérieurs à l'Exposition Internationale des Arts Décoratifs," L'Amour de l'Art, Paris, August 1925, p. 316
Les Arts de la Maison, Paris, Fall-Winter 1925, pl. VIII
G. Rosenthal, "La Cour des Métiers et l'Ambassade Française," L'Art Vivant, Paris, no. 20, October 1925, p. 15
"Une Ambassade Française," Paris, November 1925, pl. XXIII
Y. Brunhammer, Le Style 1925, Paris, 1975, p. 21
Encyclopédie des arts décoratifs et industriels modernes au XXème siècle, New York, 1977, vol. IV, pl. XV
P. Kjellberg, Art Deco : Les Maîtres du Mobilier, Paris, 1981, p. 73
L. de Caunes and J. Perfettini, Galuchat, Paris, 1994, p. 92
F. Marcilhac, André Groult, décorateur-ensemblier du XXe siècle, Paris, 1997, pp. 151-153
Further Details
This model was exhibited in the Chambre de Madame of the Ambassade Française at the Exposition Internationale des Arts Décoratifs et Industriels Modernes, Paris, 1925.

Brought to you by

Alexander Heminway
Alexander Heminway International Head of Design

Lot Essay

Amongst those of the Société des Artistes Décorateurs who collaborated on the Ambassade Française at the Paris 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes, André Groult’s Chambre de Madame was unparalleled in precision, technique, and sumptuous materiality. Known for his refined designs, executed in rich materials through traditional craftsmanship; the oeuvre of André Groult embodies the convergence of luxury and modern aesthetics, which captivated both decorators and their patrons in an era of rapid modernization. André Groult's 1925 Important Bed, an adapted version of the Chambre de Madame bed in a shimmering green shagreen (sharkskin), elaborated on his defining Paris Exposition interior; where the ultra-luxurious materials were refined down to their essential nature.
For his Chambre de Madame, Groult's interior comprised coordinating furniture pieces of rounded contours and voluptuous forms, enveloped in cream-colored shagreen upholstery, with ivory and silver detailing, and accents of pink in the interior. Pieces from the suite included defining exemplars of Art Deco style including the Chiffonnier Anthropomorphe, now in the permanent collection of the Musée des Arts Décoratifs, Paris. The voluptuous form of the Chiffonnier, fancifully crafted to suggest the curved outlines of a woman's body, was echoed across the other suite components, including the rounded framed of the Madame's bed, with it's scallop-like headboard and footboard, and charming oval feet. Strips of shagreen upholstery, carefully pieced together in a radiating geometric pattern across the suite, are a testament to craftsmanship in their precision and execution, as well as an astonishing display of material decadence, speaking to the taste for opulent and luxurious interiors presented in Paris in 1925.
Indeed, André Groult and other ensemblier-décorateurs made their livings designing deluxe and modern interiors for elite collectors, who sought highly refined, sophisticated pieces, including those on display in 1925. Following his success at the Exposition, Groult was commissioned by an American client to recreate his Chambre de Madame suite entirely in bright green shagreen, comprising a sideboard, chest of drawers, desk, chairs, and armchairs, as well as the present bed (the chest of drawers, pair of armchairs, and desk with chairs sold at Christie's in 2006, 2017, and 2021 respectively). The pearly white spots inherent to the sharkskin stand out against the green-dyed shagreen, creating an effect of light glittering across viridescent water, while the geometric paneling in varying shades of green recall the rigid lines of cut stone. These material details, customized special for this green-shagreen commission, combine themes of nature with expert human artistry, creating a stunning visual contrast and an entirely modern feel. In Groult’s Important Bed, these elements make it a masterwork of Art Deco artistry, and a symbol for the luxurious tastes that defined the era.

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