Lot Essay
“[Yoshitomo Nara’s girls are] symbolic representation[s] of the dominant feelings of Japanese youth in the late 1990s and early 2000s, characterised by a sense of uncertainty about the future, vulnerability, and a yearning for the innocence preserved in the inner child” (M. Matsui, “Art for Myself and Others: Yoshitomo Nara's Popular Imagination”, in M. Chiu, et al. (eds.), Yoshitomo Nara: Nobody’s Fool, exh. cat., Asia Society Museum, 2010, p. 13).