Mario Schifano (1934-1998)
Drawings from the Collection of Irving Stenn
Mario Schifano (1934-1998)

Senza Titolo

Details
Mario Schifano (1934-1998)
Senza Titolo
acrylic, graphite and wax crayon on paper
9 x 6 3/8 in. (22.8 x 16.1 cm.)
Executed in 1960-1961.
Provenance
Robert Rauschenberg, New York
Sperone Westwater, New York
Acquired from the above by the present owner
Literature
Selections from the Private Collection of Robert Rauschenberg, exh. cat., New York, Gagosian Gallery, 2012, p. 261 (illustrated).
Further details
This work is recorded in the Archivio Mario Schifano, Rome.

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Kathryn Widing
Kathryn Widing

Lot Essay

The year 1960 was important for Schifano as it was then that he began to use alternative materials to make his paintings and works on paper. This move was a prelude to the Arte Povera movement which began in the late 1960s, and served to revitalize contemporary Italian painting. Although Schifano’s work of this period looked to the past, he refused to be constrained by his country's history.  The artist combined his use of unconventional materials with the aesthetic rigor of Minimalism, incorporating the industrial immediacy of Pop Art while staying true to his European roots.

It is from this period that the present examples date and are early examples of the artist’s work. All colorful geometric abstractions, each work features enamel that has been painted onto paper. The enamel, a diffused industrial product, has been applied in heavy strokes to form neatly shaped frames. These frames eventually act as a window onto the modern world, a world that the viewer cannot access. 

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